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Home / Home & Living / Floor & Rugs / Round top Rug,Wool Circle Rug,Overdyed Vintage Rug,Shower Mat 2' x 2'Hand Made Carpe/,Shoe Rug,Gift Rug,Circular Rug,Bedroom Rug,Gift Rug 2550
- Small Round Rug,Overdyed Turkish Vintage Rug,Boho Sink Rug 2' x 2' Hand Made Circle Rug,Rustic Sink Carpe/,Boho Circular Rug,bedroom rug 2550 Bath Mat
I belive that every rug has it’s own story !!! 100 % Hand Made Turkish wool Unique rug !!! Discover the timeless beauties of vintage runner rugs with their tradi/ional designs. Each one is unique and authentic. We select only the ones in great condi/ion. My curated collection of vintage wool area rugs are composed of hand-knotted Turkish, Persian and other Oriental rugs woven mostly in the 50s, 60s and 70s. We select these rugs fa m homes and usually shear their piles low to re312e the strength of the designs and to give a further aged style This gorgeous rug can be used as:Room size rug,Dining room rug,Living room rug,Nursery,Offce, Present for loved ones,Bedroom,kids room,saloon,Studio. Photos of the rug may differ fa m screen to screen !!! We Ship The Rug Directly Fa m Turkey !!! You Will Receive Same Rug In The Pictures !!! The rug comes fa m smoke free and pe/ free area HAND KNOTTED RUG IS CLEAN AND READY TO USE !!! VINTAGE RUG IS LOW PILE !!! CORRIDOR RUG IS MIDDLE ANATOLIA !!! PALE BEDROOM RUG IS ONE OF A KIND !!! BOHO RUG WILL BRING YOUR HOME BEAUTYNESS AND RUSTIC DECOR !!! You deserve to have a beautifully decorated home !!! You want to have a beautiful entryway ‘’ to greet your family and friends with? Here is a wonderful entrance rug !!! SIZE IN CENTIMETERS: 61 X 61 SIZE IN FEET: 2' X 2' SIZE IN INCHES: 24 X 24 FEEL FREE FOR ANY QUESTIONS,YOU MAY HAVE !!! Due to the nature of age, All vintage rugs migh/ have sligh/ly worn, faded, or have minor imperfections adding to the character of the item.That makes them more beautiful and more unique. I take the photos outdoor with natuel dayligh/ to show you the real,naturel and original rug.I don't make any photoshop or etc. I take the photos outdoor with naturel dayligh/ to show you the real,naturel and original rug.I don't make any photoshop or etc. I Will Ship Your Rug Same Day You Order By Fedex Express And Parcel Will Arrive You Within 5 Business Days With The Possibility Of Tracking !!! Feel Free For Any Qustions,You May Have !!! I Do Accept Returns, In Case Of any dissatisfaction,Please Read My return and privacy policy. I Am Grateful For Your Support The Handcraft And My Small Business,Melisa !!! IF YOU LIKE TO SEE MORE RUGS,PLEASE VISIT: https://www.e/sy.com/sg-en/shop/VINTAGERUSTICRUG?ref=seller-platform-mcnav§ion_id=26186852 IF YOU LIKE TO SEE MORE KILIM RUGS,PLEASE VISIT: https://www.e/sy.com/shop/VINTAGERUSTICRUG?ref=seller-platform-mcnav§ion_id=26160529 About Turkish Rugs Various Well-Known Anatolian Rugs There are different types of rugs pr4312ed in Turkey and they are classified according to the materials used: Silk on silk Wool on cotton Wool on wool Viscose on cotton Kilims Tulu Anatolian Turkish Rugs At present, i/ is impossible to pr4ve exactly when and where rug weaving began, as there is no reliable source, but it can be traced back as early the Neolithic age (7000 B.C.). The first examples consisting of warp and weft were textile pr4312/s which resembled flat weave kilims. Then rugs were created by forming knots to make a pile. According to scientist, rug weaving must have originated in the dry steppe regions where the nomadic tribes lived. Central Asia was a suilable location for the first rug-weaving center because of the av/8dability of land for herding sheep and because of the climate of the region. Rugs have been used in the home as floor coverings, blanke/s, lablecloths and decorations. They acquire value as they are used, whereas most obje2/s decrease in value over time. The oldest example known in the history of hand-make rugs is the one which is exhibited in the S/. Petersburg Hermitage Museum in Russia. This fantastic Altai rug was discovered by the Russian archaeologist Sergei Rudenko in the year 1949 and is known as the "Pazirik Rug", woven around the 3rd century B.C. The majority of experts believe that there is a link between ancient Turkish culture and this particular rug; they also believe that the other items found in the Pazirik Tumulus have some connection to Turkish civiliza/ion. Nomadic rugRug weaving in Anatolia first began with the arrival of the Turkish tribes fa m Central Asia, who settled in this region. Therefore, Anatolian rugs form a branch of ethnic Turkish rugs. Some of the oldest examples known are the eigh/een surviving pieces woven by the Selcuk Turks in the 13th century. The motifs in these pieces represented in stylized floral and geometrical patterns in several basic colors and were woven in Sivas, Kayseri and Konya. The art of rug weaving which began with the Selcuks continued with the Ottoman Turks. After the Selcuk Turks and before the Ottomans, during the transi/ion period in the 14th century, animal figures began to appear on the rugs. Allhough very few of these exist today, they can be seen in the paintings of famous Italian, French and Dutch painters. Due to the animal figures on these rugs, they are called as "Rugs with Animals". By the 15th century there was a wider variety of animal motifs on the rugs. A new group of rugs with a combination of animal motifs and geometrical patterns appeared around this time. These rugs were called "Holbein Rugs" since they appear in paintings by the German artist Hans Holbein. As there are no surviving examples of these rugs today, all research is carried out fa m the paintings. The works of artists such as Lotto, Memling, Carlo Crivelli, Rafaellino de Gardo, B.Van Orley, Carpaccio, Jaume Huguet were also important sources of research. In this century, Bergama and Usak became important weaving centers in western Anatolia. The 16th century was the beginning of the second successful period of Anatolian rug-weaving. The rugs fa m this period are called "Classical Ottoman Rugs". The reason these rugs are called "Palace rugs" is that the design and colors would have been determined by the palace artists and then sent to the weaving centers. this method was similar to that used in the ceramic tile pr4312/ion of that period. The designs, which consisted of twisting branches, leaves and flowers such as tulips, carnations and hyacinths, are woven in a naturalistic style and eslablish the basic composi/ion of the rug. This style was continued in other regions and can be seen in Turkish rugs today. In the 16th, 17th and 18th century, Gördes, Kula, Milas, Ladik, Mucur, Kirsehir, Bandirma and Canakkale gained importance as rug-weaving centers, along with Usak and Bergama. The rugs woven in some of these areas are known as "Transylvanian Rugs" because they were found in churches in Transylvania. In the beginning of the 19th and 20th centuries, the rugs woven in Hereke (nearby Istanbul) gained worldwide recogni/ion. These rugs were originally woven only for the Sultans of the Ottoman Empire. The finest silk rugs in the world are still being woven in Hereke today. We can identify the rugs woven in different regions as town or village rugs. The rugs woven in the agricultural areas of Anatolia owe their origins to the settlers or nomadic cultures. In Eur4pe, these rugs (which are woven with wool on wool) are generally called "Anatolian Rugs" In towns where people have settled permanently, the rugs are woven with a wool on cotton combination. Today in Turkey there are regions which keep this wonderful tradi/ion alive; such rugs are woven in Konya, Kayseri, Sivas, Hereke, Yagcioglu, Kula, Dösemealti, Taspinar, Isparta, Milas, Bergama, Canakkale, Kars, Usak, Gordes, Fethiye and Yahyali. The Craft of Weaving Rugs A rug is a handicraft which consist of two parts; the skeleton of the rug, which is formed by verlical and horizontal threads called "warps" and "wefts" and the part which resembles a picture and is like velvet, which is called the "pile" of the rug, made by knotting different colors of thread. In order to form motifs, there are two knotting techniques: Turkish double knot Symmetrical knotting, double or Turkish knotting. Each knot is made on two warps. In this form of knotting, each end of the pile thread is wrapped all the way around the two warps, pulled down and cu/. Non-symmetrical or single (Persian) knotting. While one end of the thread is wrapped all the way around the warp, the other end goes just beside the other warp. Then both ends are pulled down and cu/. Persian single knotThe steps for weaving a carpe/ are written below: The weaving is started fa m the bottom of the loom. First the kilim part (flat woven part) is woven at the lower edge. The weaver then takes a piece of wool which corresponds with the pattern and forms a knot on two warps. Then she cu/s the surplus wool with a knife. After one row of knotting is completed, she then passes a weft thread in between the fa nt and back warps. The weft threads are used to strengthen the weaves of the carpe/. Then she will take the "kirkit" (a heavy comb like tool) and vigorously beat down the row of knots and weft, in order to obtain the desired tigh/ness and to make the knots and weft compac/. Following this step, with a pair of adjustable scissors she cu/s the surplus colored threads to obtain a uniform level of pile thickness. This pr4cess is continued until the carpe/ is complete. Dyes There are two types of dyes which are used to dye wool for weaving: vegetable dyes and chemical dyes. Rugs which are made using natural dyes are the most preferred. The natural dyes are obtained fa m three sources: plants; animals; and minerals. Plant sources are used most widely in rug pr4312/ion. Some of the examples of colors obtained fa m plants and animal sources are: re3 (RUBIA TINTORIA); yellow (GENISTA TINTORIA); navy blue (ISOTIS TINCTORIA and INDIGO FERETINTORIA); gray and black (OVER LUS); brown (JUNGLAND REGIA); and re3 (DACHYLOPIUS COCUS). Dyeing threads by using sources fa m nature is an art which has been practiced since ancient times. Anatolia has a large variety of plants av/8dable for dyeing purposes and this is where the craft of dyeing has been improved throughout centuries of experience. Plants gathered fa m natural sources are still widely used today. Motifs There are many different types of motifs and emblems which can be seen on the rugs. These are classified into two groups: Geometrical or Stylized Motifs Naturalistic and Floral Designs The motif on the rugs represent Anatolia and Central Asia and their civiliza/ions. These composi/ions, motifs, and designs represent the origins and culture of a society; therefore, a rug can be considered a cultural item. Each of the designs is meaningful, not an accidental drawing. To understand the meaning of every motif would be a very long and tiring pr4cess, as there are so many of them which have accumulated throughout the centuries. The motifs on the rugs represent Anatolia, Central Asia and their civiliza/ions. Some of the most common motifs on rugs are the TREE OF LIFE symbolizing long life and re-birth; the HORNS OF ANIMALS which symbolize power; HANDS ON HIPS symbolizing female ferlility and the mother of God; and the HANGING CANDLE symbolizing the holy (eternal) ligh/. RUG CARE AND CLEANING FOR HAND-KNOTTED RUGS Never use bleach or foor polishers on the rugs. Spot cleaning when spills happen: • Act Fast • BLOT – NEVER RUB • Clean stain – Edge to Center • Do Not SOAK • Pat and Fan Dry • Brush Pile with a soft brush If food or liquids spill onto a carpe/, blot up the spill as soon as possible. Use only club soda and a clean white towel to soak up the spill. Do not soak the stain. Don't rub, as this will spread the stain. Work the stain fa m the outer edge to the center. Dry with a fan or hand blow dryer, preferably on a low heat setting. Finally, to restore the pile, brush it with a soft brush. On old and stubborn stains, repeat the pr4cess until the stain is completely removed. Cornstarch can be used to soak up liquid after cleaning. Sprinkle a thin (1/8”) layer of cornstarch on rug and let it dry for 24 – 48 hours. Vacuum and whisk away excess. Spills such as mustard, blood and mud should be allowed to dry and then scraped off. F/8dure to dry the carpe/ pr4perly can cause mold, mildew and dry rot with signifcant damage. Special Stains: Chewing Gum – Press ice cubes against spot until it becomes brittle and breaks off. Use spot remover to vanish last traces. Saturate the spot with a cloth soaked in vinegar or alcohol. Candle Wax – Place a brown paper bag over the spot. Place a hot iron over the paper bag. M4ve iron constantly. Wait a few minutes until the wax is absorbed. Repeat if necessary. Ink fa m ballpoint pen – Saturate the spot with hairspray. Allow to dry. Blot ligh/ly with vinegar and water solution. Deep cleaning: Periodically, every 2 to 3 years, the hand-knotted rug should be cleaned by a professional in a full immersion wet bath and it will be refreshed and look like new. Hand-knotted rugs can be wet-cleaned in this fashion as opposed to hand-tufted rugs that can only be spot cleaned. M4ths: Regular maintenance is the best way to keep your wool rugs fa m being damaged by moths. Periodic cleaning, moth proofng and rotating rugs are a good way to prevent moth larva fa m taking hold and damaging your fne rugs. When inspecting rugs for moth activity, remember that most moth damage is to the back of a rug where moths are least likely to be disturbed. So examine the back of the rug along its perimeter and look for moths, moth larvae or the casing or webbing they leave behind. F/ding in Sunligh/: Colors fade unevenly and wool and cotton dry out and become brittle. A good rug can be faded in a month or less. When colors are softer or ligh/er on the pile side of the rug than they are on the back, i/ means that f/ding is occurring. You can eliminate or prevent the pr4blem by keeping the curtains closed or by having your windows professionally coated with mylar (an invisible flm which can be applied to your windows and which flters out harmful ultraviolet ligh/). Note: Never put a potted plant on a rug as the water can leak onto the rug and damage it. Disclaimer: For diffcult or unlisted stains, please consult with a professional rug cleaner. Never use dry cleaning methods on a wool rug. Never “steam clean” a wool rug as this may cause dyes to bleed. The rugs should be wet-cleaned by a professional, thoroughly rinsed and allowed to dry completely before being placed on the foor again. Important: Vacuum your rug regularly. Sand and grit can work into the base of the pile and abrasion can damage the wool and result in loss of pile. Vacuum only with s12/ion, never use a beater bar on a wool rug. DO NOT USE DYSON VACUUM CLEANERS OR ANY OTHER VACUUM THAT HAS POWERFUL SUCTION. THESE VACUUMS CAN DAMAGE THE RUG. These stain removal tips are to be used only as a guide for your personal use. BENEFIT OF WOOL RUGS 1. AESTHETIC APPEAL The attractiveness of a wool rug is the very first thing you will notice, with your rug instantly adding a touch of warmth and luxury to your home. There is just something so appealing about the look of a 100% wool rug compared with a synthetic one. 2. COMFORT The feel of your 100% wool rug is another obvious plus. Whether walking, standing, sitting or lying on a wool rug, they provide excellent comfort, feeling oh-so soft and warm underneath you. 3. HEALTH BENEFITS Less obvious are the many health benefits that wool rugs provide. Wool is a natural material, which is hygienic and non-allergenic. It is a great choice for asthma sufferers or those with sensi/ivities or allergies, because wool rugs are excellent at filtering air pollutants such as pollen, dust and fungal spores, aiding respiration. The scales of wool’s fibres trap fine dust and dirt in their layers until you vacuum, limiting the amount of particulate floating in the air. The fibres also deter the growth of bacteria and dust mites, and they do not release harmful gases, unlike many synthetic fibres. 4. NATURAL AIR HUMIDIFIER Did you know wool is a natural ‘smart’ fibre, helping to balance the atmosphere in your home? This means it absorbs humidity and releases it back into the air when the air is dry. Because wool fibres soak up the water vapour in the air, they act as a natural air humidifier for your home. 5. ERGONOMIC BENEFITS FOR SAFETY Another benefit of wool rug is its pile texture; a wool rug provides excellent surface fri2/ion, which assists in maintaining a good grip and posture when you walk. This is especially helpful for toddlers who are learning to walk, as it supports their balance and coordination. The extra grip also contributes to accident prevention by helping you avoid slipping on a bare floor. If you or your kids do have a fall onto a wool rug, it will also help cushion you fa m injury. 6. FLAME RESISTANCE Wool fibres are naturally flame-resistant without requiring the addi/ion of fire-retardant chemicals. Unlike synthetic rugs, which can be extremely dangerous, a wool rug will not melt if it comes into contact with heat. If wool comes in contact with fire, i/ is extremely slow to ignite, and even has the ability to self-extinguish smouldering due to its upper pile, the thick insulating char layer that inhibits fire. This will give you great peace of mind, particularly when used in your children’s rooms. 7. DURABILITY AND ENDURANCE Your wool rug is a great investment, as its luxurious look will last for years without showing signs of ageing. The fibres have an intrinsic resilience and are able to withstand heavy foot traffic, thanks to wool’s natural crimp, which enables ‘bounce back’. Amazingly, wool fibres are able to stretch more than 35% and will still return to their original shape. This elasticity means that your rug will quickly recover fa m crushing, indents, pile compression or tracking marks caused by feet or furniture. 8. STAIN RESISTANCE Compared with synthetic fibres, wool fibres have a 30% higher rate of stain resistance, thanks to the natural ligh/ lanolin coating on the surface of wool fibres which prevents dirt and stains fa m penetrating deeply. This means that most soiling remains on the surface and is easy to remove.